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The Muses of Gwinn:
Art and Nature in a Garden Designed by Warren H.
Manning, Charles A. Platt, and Ellen Biddle Shipman
Robin
Karson
Sagapress/Abrams
$39.95
To order, email info@lalh.org
American Society of Landscape Architects Honor Award
Readers who love landscape and garden history will
feel themselves transported, as if by a tale of great adventure.Catherine Howett, Journal
of the New England Garden History Society
Karsons examination is thorough and scholarly . . . [and]
includes penetrating and illuminating essays. . . . This is a rich period
. . . and Karson provides welcome new insight.William
Lake Douglas, Journal of the Society of Architectural
Historians
GWINN, ONE OF THE BEST-PRESERVED ESTATES of the Country
Place Era, was originally the home of Cleveland industrialist William
Mather. It has survived as an important American work of art that today
tells a story about early twentieth-century landscape style, economics,
and social history.
Three innovative landscape architects collaborated on the project for
more than two decades: Charles A. Platt, the architect who adapted the
Italian villa to an American setting; Warren H. Manning, the well-known
landscape architect, planner, and designer of parks in several states;
and Ellen Biddle Shipman, who brought a new American sensibility to the
art of garden design.
From a previously unpublished archive of documents and images, Robin Karson
presents a richly detailed and dramatically illustrated account of the
lakeside estates development. By illuminating the battle between
formal and informal design principles in creating Gwinn, Karson reveals
the larger picture of emerging style in American landscape design.
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Formal garden, privet bays, looking north, no date. (William G. Mather Papers, Gwinn Archives, Gwinn
Estate, Cleveland, Ohio) |
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